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Psychological engineering and Radiophony

Constructions of Subjectivity in Artificial Realities 1918-1932

Wilhelm Fink Verlag 2001
35,80 EU  ISBN 3-7705-3624-X

Abstract

The establishment of Psychotechnik (psycho-technique), which is the contemporary German name for psychological engineering, is associated with the well known programmes of rationalization that circulated in 1920s Germany. Its aptitude tests produce information about the psychic qualities and qualifications of individuals, relating this data to its average distribution within populations as well as to functional demands (e.g. of the workplace).

With the advent of radio in the same period, a novel facet of social reality emerges, consisting of the simultaneous experierence of a public dispersed in space - a reality that is at the same time manipulable with technological and dramaturgic means.

It is not just concepts of subjectivity that psycho-technique and the use of radio deal with, but constructions of subjectivity in the litteral sense: constructions that cannot be obtained without the apropriate artifacts.

In this book, psycho-technique and radiophony are analysed a procedures that undermine the borders between the inner and the outer wourld and establish novel modes of subjectivation that are at the same time instrumental and regulative. Thus, the outlines of a socio-technological modernity become visible, and a contribution to the genealogy of our present is given.

See the first part of the introduction (in German, sorry) on the homepage of MoMo a philosophical circle in Berlin.



Table of content:

INTRODUCTION     7
1. Problem and method     7
2. Subject, discipline and normalisation - previous studies   17
   a. The formation of autonomous subjectivity   17
   b. The production of the individual - interests and discipline   20
   c. The epistemic figure "Man"   24
   d. The intermediate sphere of regulation: normalisation   26
   e. Structure of the argument   34
I. PSYCHOTECHNICAL NORMALISATION   39
1. Psyche as an object of the human sciences   39
   a. The difference to philosophy   39
   b. The difference to physiology   41
   c. "Psychophysik" (Fechner)   44
   d. The psychology of consciousness   46
   e. Summary   51
2. Psyche as an intermediate sphere   53
   a. Psychological facts beyond consciousness   54
   b. Mass psyche as a political actor   58
   c. Neurasthenia as a "historic psychosis"   62
   d. Summary   65
3. The formation of applied psychology   69
   a. "Differential psychology" versus "general psychology"   70
   b. Materialities of the psyche   75
   c. Organisation as a problem   79
   d. Summary   88
4. Psychology in World War I   91
   a. Psychiatry versus applied psychology   91
   b. "Localised damage of the soul" - the ward for head shots   94
   c. "Scanning the mind for damage" - Walther Moede   97
   d. "The crossroads of fate" -
        vocational guidance for the war-disabled
101
   e. Summary 106
5. Psychotechnical normalisation 109
   a. The programme 112
   b. The psychotechnical construction of subjectivity 130
   c. Summary 151
INTERMEDIATE CONSIDERATIONS: SITUATIVITY 153
   a. Summary 154
   b. The limits of psychotechnical normalisation 158
   c. Experience (Erlebnis) in the range of society 167
II. RADIOPHONIC EXPERIENCE (ERLEBEN) 175
1. Telephone as an extension of space 175
   a. The plausibility of the phone call 177
   b. The physiology of hearing 179
   c. The technology of the telephone 190
   d. The popularisation of the telephone 195
   e. Summary 198
2. The intermediate sphere "aether" 203
   a. The invisible materiality of the Hertz waves 204
   b. The emancipation from wire 208
   c. The emission of sound 211
   d. Radio and mass culture 214
   e. Summary 218
3. The acoustic space 221
   a. The experiments of radio drama 224
   b. The division of labour in radio drama 242
   c. "The listener" as a problem 256
   d. Summary 264
4. Radiophonic constructions of subjectivity 267
   a. Radio as a "social relation" - Leopold von Wiese 267
   b. Radiophonic fusion - Hermann Pongs 274
   c. "The revolt of the listeners" - Bertolt Brecht's "radio theory" 281
   d. Radiophonic circuit - Richard Kolb 288
   e. Summary 297
III. THE SPACE OF NORMALISATION AND ACOUSTIC SPACE 299
1. The quantitative development of 'anonymus public' -
         Paul F. Lazarsfeld
299
   a. Lazarsfeld style und Lazarsfeld method 302
   b. The RAVAG study of 1932 306
   c. The "Lazarsfeld-Stanton Program Analyzer" 309
   d. Summary 313
2. Test and radio public as constructed realities - Walter Benjamin 315
   a. "The carrousel of professions" 316
   b. "Two kinds of popularity" 391
3. Subjectivities in artificial realities - an outlook 323
LITERATURE 337
IMAGES 361